The team imprisons him in a tool shed. [14] Carpenter initially considered Bottin's description of his ideas as "too weird," and had him work with Ploog to sketch them instead. [193][194][195][196] The story follows the events after the Norwegian team discovers the Thing.
The sound mix is Dolby 5.1, although the non-anamorphic widescreen picture is not all it could be. Carpenter considered this a suggestion that he lower his expectations of the film's performance. [20][129][130] John Kenneth Muir called it "Carpenter's most accomplished and underrated directorial effort,"[131] and critic Matt Zoller Seitz said it "is one of the greatest and most elegantly constructed B-movies ever made". What they don't know is that the alien can assume any human form, and before long the scientists can't tell who's real and who's a deadly alien threat. [12][53] Carpenter conceived the Thing as a single creature, but Bottin suggested that it should be constantly changing and able to look like anything.
The restoration was created using the original film negative, and was overseen by Carpenter and Cundey. His left hand is not seen for the first half of the film. The Thing focuses on being unable to trust one's peers, but this can be interpreted as distrust of entire institutions. The film stars Kurt Russell as the team's helicopter pilot, R.J. MacReady, and features A. Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles. [1], —John Carpenter in 2008 on the contemporary reception of The Thing[72], The film received negative reviews on its release, and hostility for its cynical, anti-authoritarian tone and graphic special effects. The scene called for a set to be built on one of Universal's largest stages, with sophisticated hydraulics, dogs, and flamethrowers, but it was deemed too costly to produce. He also opted to alter the story's structure, choosing to open his in the middle of the action, instead of using a flashback as in the novella. Vietnam War, 1970: CBS camera rolls as platoon comes under fire - Duration: 5:09. [25][25], The Thing received nominations from the Academy of Science Fiction, Fantasy and Horror Films for Best Horror Film and Best Special Effects,[85] but lost to Poltergeist and E.T. [8][16] After it was finished, Lancaster and Carpenter spent a weekend in northern California refining the script, each having different takes on how a character should sound, and comparing their ideas for scenes. He removed scenes from Lancaster's script that had been filmed, such as a body suddenly falling into view at the Norwegian camp, which he felt were too clichéd. [35] Cundey pushed for the use of anamorphic format aspect ratio, believing that it allowed for placing several actors in an environment, and making use of the scenic vistas available, while still creating a sense of confinement within the image.
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