susan philipsz work

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Art which uses sound both as its medium (what it is made out of) and as its subject (what it …, Psychogeography describes the effect of a geographical location on the emotions and behaviour of individuals, War artists are artists who are commissioned through an official scheme to record the events of war, In this talk at Tate Britain, Susan Philipsz shares her approach to working with place, sound and the human voice. By placing audio pieces in an urban environment she examines more closely the architecture and spaces around us. [2], Philipsz was born in Maryhill, Glasgow, one of six siblings.
There are two ways to experience my work in public space. Her sound installation War Damaged Musical Instruments which explores the destruction of war, is in Tate Britain’s Duveen galleries until February 2016. In the short film below, author Iain Sinclair places the songs of Surround Me in their historical context and explains the significance of the location.

Her piece, "Lowlands", was three versions of what she called[17] a 16th-century Scottish lament, "Lowlands Away".

[30] She was shortlisted for a Glenfiddich Spirit of Scotland Award that same year.
Launched in late May by arts organization Philadelphia Contemporary, Muffled Drums is described as a “creative recalibration” of a site-specific work that Philipsz, prior to … Susan PhilipszThe Distant Sound 2014Three channel radio transmissionInstallation view Moss, Norway, 2014Photograph: Eoghan McTigue, Susan PhilipszYou Are Not Alone 2009Two channel radio transmissionInstallation view Haus des Rundfunks, Berlin, 2011Photograph: Nick Ash. {{watchlist.lookupAttr('runtime', video);}}, {{watchlist.lookupAttr('progress', video)}} /, Season 9 of "Art in the Twenty-First Century". For her recording, Philipsz singles out only the viola and cello parts, leaving mass areas of silence exposing the cruel absence of the musicians. People either just happen upon it and they’re surprised, they become very aware of their sense of self in that particular place and moment. [22][23], In 2011, Philipsz was commissioned by the Museum of Contemporary Art, Chicago to create a sound installation. The nature of hearing her work in this setting transforms the experience into something quite meditative and reflective. Her sound pieces have been heard in out-of-the-way spaces such as alleyways and underpasses to very public bus stations and supermarkets. Some works of art are just as much about hearing as they are about seeing.

She gave a solo exhibition at the Institute of Contemporary Arts in 2008.

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