james bagshaw interview

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John James Bagshaw (25 December 1885 – 25 August 1966) was an English footballer who spent the majority of his career with Derby County.He also represented the English national side.He was a defender who could play anywhere along the half-back line.

But for me, when you’ve got an album with such an intense character to it, it really couldn’t be anything else. S: So if you didn’t choose Drowners, who would you like to tour with? So I asked him what it was and he said Scott Walker, then I asked if it was a modern recording and he replied, “No, it came out in the ’60s!” I thought he was kidding me, just because of the pure hi-fidelity production.

The sound for us is really important. -Interview by Sabina, pictures by Stephanie.

It has a very full range. (James Bagshaw is the singer/guitarist in Temples. The songs always change and evolve. You can’t just switch off and have it as background music. You. J: We probably will, yeah. It’s one of those records where if I don’t know what to listen to I’ll stick that on. On tracks like “Monuments” off our new record there’s a nod to that, definitely. They added PAUW's Rens Ottink to the live band for late-2018 shows. James: I think loads of different shows have different benefits. Temples hit the road to play a full slate of dates, then in early 2018 found themselves looking for a drummer when Toms left the group. Melody wise, the feel of it, and the recording all highlight how ahead of its time that record was. (James Bagshaw is the singer/guitarist in Temples.

After their set we spontaneously arranged a short interview with singer James Bagshaw, whose iconic curly hair gives off the same psychedelic vibes as the band’s music. Please enter the word you see in the image below: There are no comments for this entry yet. British neo-psychedelic band mixes trippy baroque pop experimentation and classic Beatlesque craftsmanship. While they have their own headline tours in the UK and US, in Germany Temples are currently touring with “Introducing”, a series of gigs doing exactly that – introducing new bands to the German crowds. Mar 19, 2020 It’s one of those things I guess. When you play these kind of shows I guess you get the chance to steal over people’s fans. Very weird live, very like energetic. We used to play in a band together about 10 years ago and we were driving around in his car when “It’s Raining Today” came on. var addthis_pub="4a0dbe61011c49a9"; It’s probably a strange record to have as your favorite! I guess maybe later on in the year. At the same time…we only do what we do, you know what I mean.

It’s not the same thing. Genealogy for James A. Bagshaw (c.1871 - d.) family tree on Geni, with over 200 million profiles of ancestors and living relatives. It’s as much Scott Walker’s fault this album’s so good as it is the arrangements and John Franz, the producer. On Sunday night they played in Cologne with The Majority Says and Crystal Antlers.

This is its debut online. But as far as the arrangements are concerned, where you can fill in the spaces with a space, it’s definitely inspiring. They are like tribal kind of psych. By Dom Gourlay (As Told To) James Bagshaw is the singer/guitarist in Temples.

I didn’t want to see him do something super experimental and not be in awe of it. For the issue we interviewed musicians and actors about their all-time favorite album. While they have their own headline tours in the UK and US, in Germany Temples are currently touring with “Introducing”, a series of gigs doing exactly that – introducing new bands to the German crowds. Portions of James Bagshaw’s conversation have been abridged and edited for structure and flow. Sabina: Is it cool for you to play at this “Introducing” kind of gig or is it cooler to play to your own crowd? Also, it keeps me guessing at the chord changes. The way you can draw people in with counter melodies against the vocal and things like that. J: Umm.

Along the way, the group also left Heavenly Records to sign with ATO Records. Their first record for the label, 2019's Hot Motion, was recorded in an outbuilding near Bagshaw's country home and had a synthesizer-free, guitar-heavy sound that was more in line with their debut.

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